In Medias Res
The Odyssey’s Victims
A college acquaintance of mine, and a trainee officer in the army, once told me he had always found something ideologically suspicious about The Odyssey. Why on earth would you glorify a hero who leaves for a war with…
Aristotle Versus the Dichotomists
Anika Prather | June 7, 2021
Or, How I Learned To Appreciate “On the Parts of Animals”
Ὁ Ἡρακλῆς ὁ ἐρῆμος
Luby Kiriakidi | April 16, 2021
Τῆς Ἀγάπης Κυριακιδῆς
The Marmorean Women of Rome
Claire Cunningham | April 12, 2021
Part 1: Harriet Hosmer’s “Zenobia in Chains”
Placing Antiquity's Afterlife:
Kristen Hook | September 16, 2020
Aby Warburg’s Survivals and Reappearances
Bringing Ovid's World to Life
Luby Kiriakidi | May 26, 2020
A Classicist Reviews “Ovid and The Art of Love”
Ovid in Detroit
Esme von Hoffman | May 18, 2020
An Interview with “Ovid and the Art of Love” Director Esme von Hoffman
Roman Fountains — An Appreciation
John Kuhner | May 3, 2020
From One Lover of the Eternal City to Another
What is Rome's Greatest Latin Inscription?
John Kuhner | April 7, 2020
Metaphor Becomes Concrete Beneath Michelangelo’s Dome
"There's No J in Latin, Your Holiness"
John Kuhner | February 22, 2020
And There Isn’t One on John Paul II’s Tomb, Either
"Here I Lie, Everyone's Friend, A Pig"
Marco Romani Mistretta | February 21, 2020
The “Pig Stele of Edessa” Honors A Downtrodden Pig
The Malibu Dionysia
Mercedes Barletta | September 14, 2018
September Brings Ancient Drama to the Getty Villa
Dux Femina Facti: Matilda di Canossa
Gabe Kuhl | May 17, 2018
Roman Law, the Modern University, the Papacy, and the Renaissance All Owe a Debt to This Power Broker Who Slumbers in a Little-Noticed Corner of St. Peter’s