In Medias Res
In Memoriam: Portia Prebys (1944-2026)
It was a cloudy spring morning in Manhattan. The phone rang very early in my hotel room, where I’d fortunately been awake for a little while thanks to lingering jet lag. So I picked up, and immediately recognized the…
Announcing Nexus: A Network for Classicists
Eric Simpson | December 15, 2018
he holidays looming, hundreds of newly declared Classics majors
Ovid on the Therapist's Couch
Dani Bostick | December 14, 2018
Other Writers Go to a Shrink. Ovid Wrote the Heroides
Tragedy in the Face of Apocalypse
Marco Romani Mistretta | December 13, 2018
Berkoff and Turnage’s “Greek” Rocked the BAM Stage
Living Sequential Expression
Christophe Rico | December 12, 2018
Christophe Rico Discusses Francois Gouin’s Language Acquisition Techniques
Easter Eggs in the Aeneid
Paideia Institute | December 11, 2018
In Memory of Cristiano Castelletti
Medusa at the Metropolitan
Henrietta Hakes | December 4, 2018
A Review of “Dangerous Beauty: Medusa in Classical Art”
Watermarking the Aeneid
Mike Fontaine | December 3, 2018
How You Can Prove The Epic Ends Where It’s Supposed To
The Via Media
John Kuhner | December 1, 2018
John Byron Kuhner Discusses Bridging the Gap Between Grammar/Translation and Active Latin
The World's Love-Hate Relationship with Ovid's Heroides
Dani Bostick | November 29, 2018
Can the World Fall in Love with Ovid’s Heartbreak Letters Again?
The Voice of the Heartbroken
Dani Bostick | November 20, 2018
“Ovid’s Feminine Voice” in the Heroides is Really the Universal Voice of Heartbreak
The Magic Spear Theory of Aeneid 12
Mike Fontaine | November 14, 2018
An End-of-the-Semester Challenge
Reading Ovid at his Bimillennial
John Kuhner | November 13, 2018
In Medias Res explores the work of the Most Roman of Rome’s Ancient Poets.